- Introduction
In this play was very popular and the one of the tragic history of ‘Doctor Faustus’ in written by
father of English dramatic poetry as Christopher Marlowe. In this novel
published by 1592 and Dr. Faustus as ‘The
Renaissance Play’. This
play was a written to the
Elizabethan age and Marlowe is the son of a shoemaker of Canterbury is only dramatists
before Shakespeare who is still reads with enthusiasm Marlowe has belongs to the Elizabethan age and this age also
write to the renaissance literature. As know that the renaissance was in
essence an intellectual rebirth, IT showed itself in the effort of the
institution of the middle ages. In the play, Marlowe has better and more than to
be Renaissance man in his play Dr. Faustus in as well as the renaissance play.
But now you can observe to Marlowe's work and Dr. Faustus as play in briefly.
- His work
and life
Christopher Marlow (1564-1593) one of the most
striking figures of the English renaissance literature in his work of art.
Marlow has born 1564 two months before Shakespeare, in the old cathedral town
of Canterbury. In the Marlowe's life in his work also all whole effect and image
to good in the Renaissance man. He is sent to Cambridge by a patron, who had
noticed his quick parts. He graduated at nineteen and here Marlowe published his
first play ‘Tamburlaine’ which he brought to renaissance literature and
supernatural ideas and drama learn them. The most important dramatist before
shakespear among the university wits was Marlowe. He is really great figure in
pre-Shakespeare drama. He has left behind powerful and unnatural tragedies like
that:
1.
Tamburlaine
2.
Dr. Faustus
3.
The Jew of malta
4.
Edward -2
Each one of these tragedies reflects the
renaissance spirit and revolves round the central personality of the
Renaissance man, who is consumed by lust for power. So, all four play more
popular and in that play image of Shakespeare age and effect also. Marlowe's
dramas are one man type of the play in which hero dominants the rest of the
character. Marlowe is handwork and he has the Renaissance man also and not for
in spiritual over indulgence of knowledge and the lust for power. Marlowe is
great achievement in the Elizabethan age and his works are very popular, but I
remember one line suitable to Marlowe's handwork and his achievement like that;
“When you highest achievement is
always the result of hardworking”.
- Marlowe in renaissance
Marlowe has been called the father of English
dramatic poetry. He is belongs to the Elizabethan age and this era in many
reader and author write to his work on the image of the renaissance. In that
Marlowe has been many literary works of art and all the renaissance spirit man
and medieval world. In the 16th century the renaissance for that in
Christianity m, magic, supernatural power and god lay at intellectual of life, and Marlowe has also for his literary
work and dramas as well as into scientific inquiry languished and theology was known
as the queen of the sciences. However, in art and literature the mighty rather
than on those of ordinary people. Marlowe's writing in the brief and haughty
prologue prefixed and he not only announced clearly the character of that play.
Sometimes he has more than to power and individual arguers to question and
science for power of spiritually feeling in his drama. In the renaissance age,
which have Elizabethan drama and play is one inconceivable. But Marlowe here
that to speak god and consistently of the man in watch that to perform by stage
into play. We can see that beneath the surface of his words, a proud
consciousness of his own power over this almost untried form of verse. Marlowe
showed his determination not to Pender to the pit by means of vulgar comedy and
play in the renaissance.
In that last has Marlowe in
gives to his play can see that unity to his dramas by makes them revolve around
some single great character and personality. In 16th century, Marlowe
as the renaissance man and achieved in this not wholly sympathy medium but the
highest distinction in renaissance time.
Dr. Faustus in renaissance play
In the play Dr, Faustus has been Marlow’s
dramatic masterpiece ‘The Tragical
History of Life and Death of Dr, Faustus’ is a very debatable issue Dr,
Faustus has renaissance play and also for human power into his hand. In this
play, Marlowe has dramatist and his writing in effect of renaissance age,
culture, religious and literature. As we know that Dr, Faustus has tragic hero
but in his hand of magic, supernatural power and the realm of necromancy. In
the renaissances age, Marlowe wrote to Dr, Faustus as drama in he sells his soul
to Lucifer in exchange for twenty- four years of immense power. But the desire
to repent begins to plague him as fear of hell grows in him. Doctor Faustus has
frequently been interpreted as depicting a clash between the value of medieval
world and sprit of renaissance age.


As we know that Marlowe in
wrote to drama in tragic elements, good and bad angel, magic, practical jokes
use by Dr, Faustus as play. In the play, Faustus has magician and he not
believers to good and evil angel. He has never of fear, every time asks that
questions god. But not came to god, here Dr, Faustus asks and conversion to
Mephistopheles. Dr, Faustus is a contradictory character capable of tremendous
eloquence and possessing awesome ambition. It
has some striking and significant differences that remove it from the genre of
morality play. Audiences feel fear of the situation and pity for Faustus, whom
Marlowe characterizes as a complex sympathetic character who develops
and does not remain static. These points out two important differences between
this and a morality play. A morality play (1) is intended to teach
the difference between virtue and sin; between good and evil. A morality play
(2) has allegorical characters that are named for what they allegorically
represent
one similar characteristic
between Faustus and a morality play is the themes of sin and
redemption, though Faustus does not personify Sin and Redemption as a
morality play would do. Another similarity is the presence of a Good Angel and
an Evil Angel and various Devils, yet these are specific characters with
specific relationships or functions in Faustus' struggles; they are not
allegorical personifications. Another similar characteristic is the presence of
the Seven Deadly Sins, who appear as devils dancing for Faustus (Marlowe
changed to this from the devil's pageant in the original 1592 English). In the
play Faustus in his mind is full of philosophical and in his power to
supernatural but in he faces to god never that belief. Marlowe use to these
ideas in play but one dialogue between Faustus and Lucifer like that;
LUCIFER. Now, Faustus, how dost thou like
this?
FAUSTUS. O, this feeds my soul!
LUCIFER. Tut, Faustus, in hell is all manner of delight.
FAUSTUS. O, might I see hell, and return again,
How happy where I then!
LUCIFER. Thou shaft; I will send for thee at midnight.
In the play this part is more interesting and
also for Lucifer mind, his spirit for Faustus in that line. He has seen how the
highly intelligent scholars are ruining their lives for the sake of power
and want to hold the world in their hands. Dr. Faustus is a
typically intelligent man where he feels the the world can be at his doorsteps
by engaging himself with black magic to whom he surrounds his soul to the
devil for the sake of his greedy power. His characterization is simple
nevertheless his heroes are individuals they all arouse sympathy in some
degree. This was his greatest contribution to English play and even than his
revivification of its diction and meter. He was the morning star of Elizabethan
drama and when he perished suddenly in the prime of his youth men felt that
Lucifer had fallen from heaven. There is a lack of female character in Marlowe‘s
play. Zen crate plays but a shadowy part in Tambourine; Helen is but a vision
in Dr, Faustus.


He
overthrows Gods moral values and inculcates the vices where finally it ruins
his life. Through the play Marlowe wants to give a message to the world that
all intelligent men in the world should follow the moral values and ethics
which are coined by the society. If we violate the moral values of the
society like Dr. Faustus we will be ruining our lives and have no place in
Heaven after death. In this play we can see that more than to in Christian and
also for renaissance in Dr, Faustus. Marlowe in has been renaissance spirit to
Dr, Faustus as man to in renaissances man. But we know that Faustus may be
repent and save his soul! “O lente lente currite noctis equi.” Although Faustus was given all of power of
the universal man and not for god and goddess. Faustus has face to death and
life in tragic history of his life and he also for argues to god, but here came
to not god but Mephistopheles in face and asks to question them. In this plat
by for that Faustus has that in Mephistopheles in when Faustus remarks that to
him seems to be free of hell at the moment that like:
Why
this is hell. Nor am I out of it,
Think’st
thou that I, who saw the face of god,
And
tasted the eternal joys heaven,
Am
not tormented with ten thousand hells,
In
being deprived of everlasting bliss?
While Marlowe‘s Faustus is, admittedly a
magician, a scientist, this distinction was not so clearly drawn in the 16th
century as it is for them. In the play Faustus could be considered one drama,
but you can see that in renaissance period Marlowe wrote in spirit of
renaissances man and human power of knowledge ponder what happen to his limits
as man. Moreover, in this play Dr, Faustus has in Renaissance man to be more
than in the ideas of considered he a martyr has many flaws, several of which
are evident when to Faustus before he turned to necromancy and what he did once
he obtained the powers of the universe man. As renaissance play by Marlowe is
inevitably the renascence audience in this play Dr, Faustus should realize that
Faustus was a great man who did many great thinks because of his hubris and his
lack of vision he died the tragic man. In the play has been that one man who
possesses good and bad desire thought various actions and also conversation to
good and bad angels and his personality for ideal image for the Renaissance
man. In the play Marlowe has not for god came but in the time Lucifer was came,
to take the path of god and Lucifer. Here just lines to in play by conversion
to good and bad angel that like;
Evil angel.
Go forward, Faustus, in that famous art.
Good angel.
Sweet Faustus, leave that execrable art.
Faustus.
Contrition, prayer, repentance- what of there?
Good angel.
O. they are means to bring thee unto heaven!
Evil angel.
Go, Faustus in that famous art
Wherein all
nature’s treasure is contain’d
Be thou on
earth as Jove is in the sky,Lord and commander of these elements.
Faustus has in play by that to be more than
Marlowe desire to Renaissance man and also for his idea, feelings in over came
in human. In the renaissance audience was not that to which time and place to
perform to play into stage. But Marlowe in supernatural power and two desire of
views by Marlowe thought and character for Faustus in magician and philosopher.
In the play Marlowe’s drama and a similar deficiency is to be felt
in the entirely serious tone of his plays. The comic scene in Dr. Faustus is
poor as compared to the tragic scenes. The renaissance spirit to reach England
in 14 century. In the period there was a
love for life and its manifold beauties.
And the age of adventure and material wealth. He is ideas of a man of the renaissance is
pictured by him in the figure of Dr. Faustus. A distinguishing note of the
renaissance age intoxicated by the magnificent possibilities opened to it on
every side was an uncontrollable aspiration after the ideas a scorn of earthly conditions a soaring passion that
sought to scale the infinitude of power, beauty and love. In Dr, Faustus
Marlowe presents a man of learning and a man running mad after the pursuit of
worldly power .Dr Faustus is the master of varied knowledge ranging and
practices necromancy to acquire worldly power .so great is Dr, Faustus’s love
for power and pleasure that he sells his soul to the devil for enjoyment of
worldly pelf and power. In the play more for that Marlowe has the tragic death
of Faustus and his life is lost and never came of his ideas. As renaissance man
good and evil for just to be his mind but not for over thought can use. In the
renaissance play for when ever and whatever Marlowe in that to sin, redemption,
and damnation; the conflict between medieval and renaissance values absolute
power and corruption the dividends of human nature. The Dr. Faustus present
the play of Dr, Faustus a German scholar and physician who
his just for worldly power and knowledge signed the fateful contract
with Mephistopheles the agent of the devil that he would really allow his soul
to be taken wherever Mephistopheles wanted.
If for twenty four years he was at his command and carried out behests according to his liking. For twenty four year Mephistopheles served Dr. Faustus as faithfully as magician wanted him to do but after the expiry of twenty four years, his soul was forcefully dragged by the devil to hell where it was perpetually consigned without any hope of redemption in the future. The play of Dr, Faustus is extremely pathetic and the cries of agony emerging from the lacerated heart of the Dr Faustus at the last moment of his departure to hell are sufficient to rend even a story heart to pieces. In this play not for narrator but in many a time chorus which appears intermittently between scene, so rather than in play Faustus has Renaissance man and also for supernatural power in his hand.
If for twenty four years he was at his command and carried out behests according to his liking. For twenty four year Mephistopheles served Dr. Faustus as faithfully as magician wanted him to do but after the expiry of twenty four years, his soul was forcefully dragged by the devil to hell where it was perpetually consigned without any hope of redemption in the future. The play of Dr, Faustus is extremely pathetic and the cries of agony emerging from the lacerated heart of the Dr Faustus at the last moment of his departure to hell are sufficient to rend even a story heart to pieces. In this play not for narrator but in many a time chorus which appears intermittently between scene, so rather than in play Faustus has Renaissance man and also for supernatural power in his hand.
- Conclusion
you done ur assignment very skillfully.u explain the whole features which is supported ur topic in ur assignment to describe Dr Faustus as renaissance play.
ReplyDeleteGood Topic and nice work.
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